{"id":357,"date":"2013-08-11T09:53:23","date_gmt":"2013-08-11T08:53:23","guid":{"rendered":"http:\/\/www.teatar.hr\/blogeri\/?p=357"},"modified":"2013-08-11T12:01:07","modified_gmt":"2013-08-11T11:01:07","slug":"festivalusa-edinburgh-dan-sedmi","status":"publish","type":"post","link":"https:\/\/www.teatar.hr\/blogeri\/kristina-gavran\/festivalusa-edinburgh-dan-sedmi\/","title":{"rendered":"Festivalu\u0161a @ Edinburgh: dan sedmi"},"content":{"rendered":"

Crna srijeda, tako je zovu. Prikrade se polako, nakon po\u010detnog entuzijazma, nakon svih sni\u017eenih karata (previewa<\/em> i 2 za 1 ponedjeljka i utorka), popunjenih dvorana i one slatke... nade. A onda do\u0111e srijeda i mnogi se snovi sru\u0161e. Do\u010dekaju vas prazne dvorane i nikakva zarada. Ka\u017eu da je prva srijeda na Fringeu najgori dan na box officeu. \u010cetvrtak se nekako provu\u010de, a onda s olak\u0161anjem do\u0111e vikend. No, neki ga i ne do\u010dekaju. Eto, jedan klaun je u tu crnu srijedu odigrao svoju posljednju predstavu \u2013 prazna dvorana i lo\u0161a kritika u novinama bili su dovoljan razlog da spakira kofere i otka\u017ee sve predstave do kraja festivala. Tuga. Kre\u0107e ljubomora, do\u0161aptavanja \u201ekoliko ste publike imali?<\/em>\u201c, pa kimanje glavom puno razumijevanja... na cesti nema toliko ljudi, djelitelji letaka bore se za svaku osobu. I u mojoj ekipi Maharajah i Kohinoor<\/strong><\/em>\u00a0zavladalo je lo\u0161e raspolo\u017eenje. Gledala sam glumce kako u kostimima, praznog pogleda hodaju Royal Milleom bez nekog cilja. Morala sam ih dobro prodrmati i ponuditi nekoliko ideja za marketing, te ih uvjeriti da \u0107e sve biti dobro. Izradili smo veliki plakat i napravili strategiju privla\u010denja publike fotografiranjem s likovima i nagradne igre na kojoj smo dijelili karte. (Eto, da vam odmah ka\u017eem da je sutradan sve doista bilo dobro i imali su lijepo popunjenu dvoranu.)<\/p>\n

\"Edinburgh<\/a><\/p>\n

No, za jednog je velikana dvorana bila rasprodana sama od sebe, nisam ga vidjela kako dijeli letke, ali njegovo ime je bilo dovoljan mamac \u2013 Steven Berkoff<\/strong> <\/a>na Fringeu se pojavio s predstavom An Actors Lament<\/strong><\/em>\u00a0u kojoj pozornicu dijeli s Jay Benedictom<\/strong> i Andree Bernard<\/strong>. Sat vremena nam pri\u010daju o \u017eivotu glumaca \u2013 od zahtjevnih redatelja do pisaca koji paze na svaku re\u010denicu, la\u017enih divljenja i povr\u0161nih razgovora na premijerama, sve do onog osje\u0107aja praznine kad se na\u0111u \u00a0sobi, sami sa sobom, ne znaju\u0107i kako odgovoriti odrazu u zrcalu \u201eTko si zapravo ti?<\/em>\u201c \u00a0Sama pri\u010da zvu\u010di kao divan manifest o gluma\u010dkom zanatu i umjetnosti, ali nije mi bilo jasno za\u0161to manifest gledam na pozornici umjesto da ga jednostavno pro\u010ditam. Troje poznatih glumaca nije publici ponudilo ni\u0161ta osobno, ni\u0161ta intimno ili ranjivo. Berkoff u upadljivim leopard cipelama, lamatao je rukama na sve strane, izme\u0111u svakog monologa pantomimski su se palile cigarete, no sve je ostalo u nekom dimu pitanja \u201e\u010cemu ova predstava?<\/em>\u201c Kako ovako mlada ne bih bila drska i rekla ne\u0161to kontra slavnog glumca, citirat \u0107u jednu mnogo stariju damu koja je izlaze\u0107i iz kazali\u0161ta lupnula \u0161tapom o koji se oslanjala i jednostavno rekla \u201ePretenciozno!<\/em>\u201c<\/p>\n

Odmah zatim pogledala sam predstavu Ten out of ten<\/strong><\/em>\u00a0u kojoj nastupa jednako tako troje glumaca \u2013 dva mu\u0161karca i jedna \u017eena u kasnim dvadesetim godinama. U maloj dvorani, sa samo 40 sjedala i tek nekoliko reflektora oni poku\u0161avaju ostvariti svoj fringeovski san. Ta predstava pokazala mi je kako se radi intimno, entuzijasti\u010dno, divno, fantasti\u010dno kazali\u0161te! U jednom trenutku potekle su mi suze, dodirnuli su me na na\u010din na koji Nirbaya<\/strong><\/em>\u00a0nije uspjela i potaknuli na ostvarenje nekih snova koje Red Bastard<\/strong><\/em>\u00a0svojim vikanjem nikada ne bi iskopao iz mene. Ten out of Ten<\/em>\u00a0duhovito je i interaktivno igranje s ljudskim uspjesima i padovima, a glumci ne pretpostavljaju je li njihova publika sretna ili nesretna, ve\u0107 svakog \u010dlana ponaosob do\u017eivljavaju kao cjelovitu individuu i pu\u0161taju nas da sami s predstave ponesemo ono \u0161to nam je bitno. U trenu kad nas zamole da zatvorimo o\u010di i prisjetimo se prvog spoja, prvog poljupca, posve sam sigurna da je u publici nastalo 40 unikatnih pri\u010da. Nakon scene otkaza i potpune depresije koji do\u017eivljava glavnik lik ove mikroskopske analize ljudskog \u017eivota, vra\u0107amo se u pro\u0161lost i \u010ditamo njeno pismo upu\u0107eno prijateljici kada je imala samo 13 godina. Na kraju sam i sama sebi postavila pitanje \u2013 \u0160to je zapravo uspjeh? Jedno je sigurno, ova predstava je uspje\u0161na u svojoj nepretencioznosti i slobodi koju daje publici da iz mno\u0161tva materijala, sitnica koje \u010dine svakodnevni \u017eivot prepoznaju sami sebe.<\/p>\n

Najpoznatije kazali\u0161ta u Edinburghu, Traverse Theatre<\/strong>, koje je svoj redovni program uklopilo u Fringe festival, bilo je moje idu\u0107e odredi\u0161te. Traverse postavlja nove, izazovne dramske pisce, me\u0111u njima i \u0161kotskog pisca Davida Greiga<\/strong> (koji je napisao mjuzikl Charlie u tvornici \u010dokolade<\/em>\u00a0koji upravo igra na West Endu). I dok je jo\u0161 sjedio na probama za veseli mjuzikl, Greig se prihvatio pisanja drame o vrlo mra\u010dnoj temi. Novinari su odmah dramu proglasili pri\u010dom o norve\u0161kom hladnokrvnom ubojici Breiviku<\/a>, no Greig se ogra\u0111uje od tih etiketa, njegov ubojica je jednostavno nazvan Boy. U sredi\u0161tu drame je Clair, sve\u0107enica, lezbijka, pre\u017eivjela svjedokinja masakra koja poku\u0161ava vratiti vjeru i ponovo okupiti pjeva\u010dki zbor koji se raspada. Na svakoj izvedbi pjesme pjeva novi zbor obi\u010dnih ljudi, te svojim iskrenim reakcijama divno predstavljaju zajednicu ljudi, ali i ogledalo publici kojoj sjede nasuprot. Nije bitno je li to pri\u010da o Breiviku, bomba\u0161kom napadu u Bostonu ili obezglavljivanju vojnika u Londonu, bitno je to da se poku\u0161ava razumjeti zlo, dru\u0161tvo iz kojeg je niknulo, rasizam i mr\u017enja kao takva. Greig duhovito i inteligentno sla\u017ee fragmente tjeraju\u0107i nas da se i sami zapitamo jesmo li ponekad isklju\u010divi i krije li se i u nama sjeme zla, te \u0161to bismo sve u\u010dinili da za\u0161titimo vlastito \u201epleme\u201c.<\/p>\n

\"n002\"<\/a><\/p>\n

Problem Fringe festivala jest \u0161to se toliko toga odr\u017eava u samo mjesec dana, dok bi vam za gledanje svih predstava trebalo najmanje tri godine. Zato svi poku\u0161avaju vidjeti \u0161to vi\u0161e, iskoristiti priliku dok su ovdje. No je li to predoziranje kazali\u0161tem dobro? Mo\u017eda bi na box office trebalo staviti upozorenje \u201eKonzumirati u ograni\u010denim koli\u010dinama. Za sve ostale nuspojave savjetujte se sa...<\/em>\u201c Doista, ima li smisla trpati u sebe, bez vremena za promi\u0161ljanje? Nakon predstave o masakru tr\u010dati na veseli mjuzikl? Nakon slu\u0161anja intimnih ispovjedi zlostavljanih \u017eena u\u017eivati u burleski? S obzirom da festival svake godine sve vi\u0161e i vi\u0161e raste, postoji li mogu\u0107nost da jednoga dana eksplodira?<\/p>\n

Sva razmi\u0161ljanja o The Events<\/strong><\/em>\u00a0kao da sam negdje spremila za poslije hodaju\u0107i do nove dvorane u kojoj se prikazivao Baby wants candy<\/strong><\/em>. Bio je to ve\u0107 tre\u0107i poku\u0161aj da pogledam tu rasprodanu predstavu iz Amerike, a znate kako ka\u017eu \u2013 tre\u0107a sre\u0107a! I doista je bila! Ne sje\u0107am se kad sam se zadnji put toliko nasmijala. Baby Wants Candy<\/em>\u00a0je potpuno improvizirani mjuzikl \u2013 od benda koji improvizira melodiju, do glumaca koji na licu mjesta dodjeljuju sebi uloge i smi\u0161ljaju stihove, koreografiju i \u010ditavu pri\u010du na temu koju im je zadala publika. A publika se ove ve\u010deri dosjetila zanimljivog naslova Burlesque Nuns<\/strong><\/em>! Uz zadanu strukturu koju slijede svake ve\u010deri, pred nama su izveli mjuzikl o maloj Pipper koja boluje od leukemije i \u017eeli na biblijski kamp, a jedina nada su joj \u010dasne sestre koje izvode burlesku kako bi prikupile novac. Puno crnog humora, bez imalo ustru\u010davanja i korektnosti, kroz smijeh su zavr\u0161ili ovu crnu srijedu i najavili prelazak u kraj tjedna i vikend pun posjetitelja!<\/p>\n

\"Edinburgh<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u0160to je edinbur\u0161ka Crna srijeda i kako je pre\u017eivjeti? Kakva je nova predstava Stevena Berkoffa, a kakav kontroverzni pogled Davida Greiga na Breivikov masakr? Te kona\u010dno, \u0161to su to Burleskne opatice?<\/p>\n","protected":false},"author":1401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[],"vrsta":[],"datum-premijere":[],"godina-premijere":[],"produkcija":[],"koprodukcija":[],"class_list":["post-357","post","type-post","status-publish","format-standard","hentry","category-kristina-gavran"],"acf":[],"yoast_head":"\nFestivalu\u0161a @ Edinburgh: dan sedmi - Teatar.hr Blogeri<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.teatar.hr\/blogeri\/kristina-gavran\/festivalusa-edinburgh-dan-sedmi\/\" \/>\n<meta property=\"og:locale\" content=\"hr_HR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festivalu\u0161a @ Edinburgh: dan sedmi - Teatar.hr Blogeri\" \/>\n<meta property=\"og:description\" content=\"\u0160to je edinbur\u0161ka Crna srijeda i kako je pre\u017eivjeti? 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Kakva je nova predstava Stevena Berkoffa, a kakav kontroverzni pogled Davida Greiga na Breivikov masakr? 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